Apart from one of the best titles ever, Let Sleeping Corpses Lie has plenty going for it. It’s the story of a luckless, macho antiques dealer who gets sucked into a zombie murder-mystery. When a clumsy woman crashes into his parked motorcycle, he’s left the choice of being stranded or catching a ride with her. All things considered, he should have chosen to stay stranded. Before long, he’s being detained as a witness to a murder by an incredibly surly and spiteful police sergeant who seems more concerned with framing him for being a long hair than actually solving the crime. In the course of investigating the murder alongside with his ride/cause of all his troubles, he discovers not only the walking dead but what’s causing them to rise. Of course, no one believes him about either the zombies or what’s reanimating them, giving the dead a chance to wreak some serious havoc before the satisfying and unhappy ending.
The zombies are fairly original. They’re capable of working together and using tools, and while they don’t quite run, they can definitely shuffle at a good pace. Headshots do nothing but annoy them, but they do turn out to be roughly as flammable as kerosene. And strangely, they don’t show up in photos, a plot necessity that doesn’t make a lot of sense in context and is never explained. They look absolutely great, with realistically dead countenances and creepy-ass red irises. The zombie make up is unfailingly excellent, especially the autopsy zombie. The gore is nicely done too, apart from one fairly cheesy looking killing of a nurse.
Overall the acting is decent, but there is some silly overacting and clumsy delivery here and there. It’s not terrible, and it never derails the movie, but it’s definitely chuckle worthy. The story is strong, and in fine zombie tradition there’s even a heavy-handed message — pro-environment/back-to-nature in this case. The script is solid, if a little heavy on the talking and police procedural angle, which slows down the pace a bit. Still, everything is stylishly shot and the atmosphere is great, so the relatively languid speed at which it unfolds isn’t a problem. It also sounds incredible – the score and sound design, which intermingle in curious and effective ways, are top notch. All things considered, Let Sleeping Corpses Lie is well-deserving of its status as a minor classic.