
A daily roundup of all the undead news that shambles into view… Bookmark the home page or add the RSS feed to your reader for your daily dose of walking dead. Got news tips? E-mail me at cory.casciato[AT]gmail.com.
The makers of animated zombie movie A.D. are aiming to make the biggest, baddest-ass, most epic zombie movie of all time. Get ready to pee your pants with joy if they pull it off, and watch them speak about it in a video interview below in the meantime. (ETC)
Zombie and robots in comic book mayhem! It’s Zombies vs. Robots Adventure (that is a title that does not fuck around). More info and a preview here. (Bloody Disgusting)
Here’s an interview with Roxanna Manuel, one of the stars of ’80s direct-to-video zombie movie The Video Dead (review here). (Killer Film)
Are zombie movies racist? That’s what one doctoral candidate at University of California Santa Barbara claims in this article — and he’ll elaborate at a speaking event tonight if you’re in Santa Barbara and want to go. (Daily Nexus)
Need some tips for giving those zombies an ass-whupping? The Zombie Combat Manual, presumably the world’s first guide to hand-to-hand combat vs. the undead, has you covered. (A World on Fire)
When the zombie apocalypse comes, you will still be able to enjoy a nice beverage out of these zombie pint glasses. (Bread and Badger)
The entirely CGI-animated Resident Evil: Degeneration was, for my tastes, far better than the live-action Resident Evil. Admittedly, I have only seen the first RE movie – I was so disappointed I didn’t bother with the others, though I will eventually. In Resident Evil: Degeneration you have a typically (for the franchise) convoluted plot that centers around the efforts of another company to pick up the pieces of the Umbrella Corporation’s research and profit from it, even if that means their market is terrorists. The main event is a release of the zombie-making T-virus in an airport and pure zombie mayhem is the result. Franchise heavyweights Leon Kennedy and Claire Redfield are the main characters and they lead a rescue mission from inside the airport, before tangling with a corrupt corporate executive (is there any other kind?) who’s concocted an elaborate plot to test the G-virus, which creates a weird reptile/insectoid hybrid demonic-looking mutant that is all but unkillable. There’s also a romance sub-plot between Kennedy and a new character, and the new character’s brother is involved in the release of the G-Virus, as revenge. Oh, and he is being manipulated by the corporate executive who’s linked to the senator trapped in the airport and, uh, … did I mention it gets a little convoluted?
The animated City of Rott is something of a curiosity, as one of the very few animated feature-length zombie movies in existence — the only other I am aware of is the CGI-animated Resident Evil: Degeneration. Unfortunately, its one-of-a-kind status is its only real appeal. It’s bad. Real, real bad. The art and animation is strictly student-film quality, and bad student-film quality at that. More to the point, it’s like the scribblings on a junior-high math notebook come to life, or undeath, or whatever. The main story — about an old man looking for new shoes in the midst of a zombie apocalypse — is nonsensical and meandering. Compounding the issue is the fact that a whole new set of characters and plot points are introduced over halfway through, and none of them made much sense either. It was all done by one guy — art, animation, writing, voices, everything — and it shows. Especially noteworthy are the female voices, which are achieved by speeding up the creator’s voice — very clever. At only 78 minutes, the movie feels like 178 minutes. Apart from some vaguely interesting ideas (brain-infecting worms cause zombies) and one or two mildly amusing moments, CoR is without redeeming qualities. Do Not Watch.





















